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・ Walter Kross
・ Walter Krueger
・ Walter Krupinski
・ Walter Krämer
・ Walter Krüger
・ Walter Krüger (athlete)
・ Walter Judd (politician)
・ Walter Junghans
・ Walter Jurmann
・ Walter Jürgen Schmid
・ Walter K. Andersen
・ Walter K. Chorn
・ Walter K. Farnsworth
・ Walter K. Foster House
・ Walter K. Granger
Walter K. Lew
・ Walter K. Link
・ Walter K. Martinez
・ Walter K. Scott
・ Walter K. Singleton
・ Walter K. Wilson, Jr.
・ Walter Kaaden
・ Walter Kaegi
・ Walter Kahn
・ Walter Kaiser
・ Walter Kaiser (footballer)
・ Walter Kaiser, Jr.
・ Walter Kaitz Foundation
・ Walter Kalasooriya
・ Walter Kalbfleisch


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Walter K. Lew : ウィキペディア英語版
Walter K. Lew

Walter K. Lew is a Korean American poet and scholar who has taught creative writing, East Asian literatures, and Asian American literature at Mills College, the University of Miami, UCLA, and Brown and Cornell Universities. Aside from the award-winning ''Treadwinds: Poems and Intermedia Texts'',〔(Association of American University Presses: WESLEYAN UNIVERSITY PRESS )〕 Lew is the author, co-author, or editor of seven books and several special journal issues. He presently resides in Miami, FL and Queens, NY.
Lew's translations and scholarship on Korean and Asian American literature have been widely anthologized and he was the first U.S. artist to revive the art of movietelling (live narration of silent films), beginning in 1982. Lew was the founding editor of the literary and scholarly press, Kaya Production (1993–96), where he helped to develop and published such books as R. Zamora Linmark's ''Rolling the R's'', Kimiko Hahn's ''Unbearable Heart'', Sesshu Foster's ''City Terrace Field Manual'', and a reprint of Younghill Kang's ''East Goes West: The Making of an Oriental Yankee''. Documentaries and news stories produced by Lew have been broadcast on CBS News, PBS, British ITV, and NHK-Japan, among other networks. He has often collaborated with visual artists, such as (O Woomi Chung ), Ashley Ford, and, most continually, the filmmaker Lewis Klahr.
==Works==

* "Moss" and selection from "The RV Projects," with O Woomi Chung, for "(Lines of Sight: Visual Art in Asian American Poetry )," guest ed. Michael Leong, THE MARGINS, March 2015, pub. Asian American Writers' Workshop
* (SCROTA ), with O Woomi Chung, limited edition chapbook, 2014
* (WITH EYES CLOSED ), with O Woomi Chung, site-specific video installations, 2014
* IMPERATIVES OF CULTURE: Selected Essays on Korean History, Literature, and Society from the Japanese Colonial Era (Ed. with Christopher P. Hanscom and Youngju Ryu), University of Hawai'i Press, 2013〔(University of Hawai'i Press book: Imperatives of Culture )〕
* EST-CE QUE LA LIGNE A ASSASSINE LE CIRCLE?, with Ashley Ford, limited edition artist's book, 2011
* YI WON, a selection of Yi Won's poetry translated by Walter K. Lew and published as a chapbook for the 35th Poetry International Festival, Poetry International, Rotterdam, 2004.
* TREADWINDS: Poems and Intermedia Texts, Wesleyan University Press, 2002〔(Wesleyan University Press: book review for Treadwinds )〕〔(Amazon book: Treadwinds )〕
* EXCERPTS FROM: ∆IKTH DIKTE 딕테/딕티 for DICTEE (1982), Yeuleum Sa (Seoul), 1991
* "(Pack Observing Art Basel >< Miami Beach 2008 )," (Ed., with Alan R. Clinton), "Avant-garde as Critical Practice" issue of RECONSTRUCTION 9.2 (2009)
* KÔRI: The Beacon Anthology of Korean American Fiction (Ed., Comment., with Heinz Insu Fenkl), Beacon Press, 2001〔(Amazon book: Kori: The Beacon Anthology of Korean American Fiction )〕
* CRAZY MELON and CHINESE APPLE: The Poems of Frances Chung (Ed., Comment.), Wesleyan University Press, 2000〔(Wesleyan University Press: book reviews of Crazy Melon and Chinese Apple )〕
* PREMONITIONS: The Kaya Anthology of New Asian North American Poetry (Ed.), Kaya Production, 1995〔(Goodreads.com: Premonitions: The Kaya Anthology of New Asian North American Poetry )〕〔(Amazon book: Premonitions: The Kaya Anthology of New Asian North American Poetry )〕
* MUAE: A Journal of Transcultural Production (Ed., Trans.), Kaya Production, 1995-1996
* ("The Fight for Democracy" ) (Associate producer), part 8 (Dir. Carl Byker), of the Emmy-award-winning 10-part documentary series THE PACIFIC CENTURY, Prod. Peter Bull and Alex Gibney, 1992. Also awarded a Dupont-Columbia Award for Excellence in Broadcast Journalism.

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